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1. #Liveprofessor 2 videos generator
2. #Liveprofessor 2 videos plus
3. #Liveprofessor 2 videos free
4. #Liveprofessor 2 videos windows

(feed frequency is important here)Īs I've ran that measurement with IEMs equalized for BS2b, this shouldn't be an issue. Oh, a warning: if you're using BS2b (Bauer Stereophonic to Binaural) as a crossfeed mind that it attenuates high frequencies. It'd be fun to use constant stimulus method instead of the adaptive one I did using that website.

Audiometry was normal at 40 phon, within error bars, so there you go.) (Or rather, someone who can appreciate distortion-free bass some more. Clearly it's wrong then - and this is what you'll be doing. Tone://frequency,length for finite lengthĪpplying inverse equal loudness curve just makes most music sound horrible and doesn't match any speaker or live setup I've heard other than cheap computer speakers, headphones and unsealed IEMs. Type in: tone://frequency for infinite length

#Liveprofessor 2 videos generator

I do not remember all of it, but the tone generator had many tunables. Just tuning with many sines (or a sweep) until the spectrum sounds equally loud at all frequencies. I use the old and tested "many sines" technique without equal loudness curve and dual eq stuff. If you already have it, Foobar2000 has a good tone generator which can be used instead of SineGen.

Not recommended with 16-bit or otherwise noisy sources.

#Liveprofessor 2 videos free

However, it will not be free once out of beta - but neither is VAC.Īnother recommendation would be to play sine waves at -6 dB or so to have some digital control headroom. It has some issues with UI of Electri-Q, however it's better at handling ASIO it seems and has far fewer crashers than VSTHost. Maybe ill dig in to the HAPI range of products later on.FYI, there's a new standalone VST host about, called LiveProfessor. I can get has low as 2.1 ms Latency 48KHz. DJ (LR) and a microphone using the Antares access auto tune plugin (0 samples low latency plugin). I recently adquired the Merging Anubis and planning on doing some live things with Reaper and Anubis. rpp.įor complex routing ideas you might check a, search in forum or youtube.Ĭan you tell us what converters are you using ? After 1 hour fun, you might have a few minutes (2-3 minutes) better, original, interesting parts which you might want to keep, just save as. If you have nothing left after all deletion, just record again, that is the fun part of it.

#Liveprofessor 2 videos plus

Plus you can record into Reaper if you want, which I do.Įxample: Sequetron midi sequencer by Phil Tipping (which is best midi sequencer on earth, without a doubt, if you know a better one, you have to prove it, write here _ as midi looper and experimentation field, slaved to Reaper via midi clock, it could be any hardware sequencer as well, its midi output going into Reaper, playing sounds+fx, recording all tracks output (not input) during performance/experimentation/fun, later you can select better parts, using Reapers excellent ripple editing for all tracks, basically just deleting areas which you did not like without long discussions. Stability wise I tested reaper in broadcast live situations and so far it holds its ground. So I would like to have a clean interface specifically designed for routing und adding plugins into it. Like Live Professor, Waves Plugin Server.īut Reaper can do more for me espacially with 3d Audio in mind.

#Liveprofessor 2 videos windows

(Make sure your Windows services are stripped down to the bare minimum, if you use Windows)Īctually I would like to view Reaper as a pure Plugin Host where I can send stuff into, process it and get it out.

Short answer: yes, use it for your purpose, you'll never find a better and more reliable solution. Multitrack-recording records the raw signal pre-FX, so the FX can be changed afterwards entirely when mastering. The (actually with cable measured) 5.6 ms roundtrip latency (ASIO-Buffer size = 64 samples) was not yet noticed by the musicians, otherwise they complain, especially percussionists get confused from noticeable delay in the monitor path. I run microphone correction plugins in every channel, and speaker-correction plugins in every monitor and main output. With good VST channel strips you can achieve better and more flexible sound processing capabilities than with any hardware based digital mixer.

Hardware is moderate, just a silent notebook, fan always off) (At home I run Reaper more than 2 weeks uninterrupted just as low-latency host for the room correction plugin for all computer audio playback. That usecase is perfect for reaper, because it's stability guarantees uninterrupted performance for 12 hours and more, using it as FOH mixer, and stage monitor mixer and multitrack-recorder at the same time. Actually I would like to view Reaper as a pure Plugin Host where I can send stuff into, process it and get it out.